Among the chatter was a sense this may lead to a wave of non-U.S. activity.
Shades of Bluecreator Adi Hasak didnt mince his words when he described U.S. TV as adisaster zoneMonday.
A Europeanstreamingseries for a U.S.-based global streamer taking home the crown felt apt.

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With many of the major TV studios and streamers strategies in flux, it is easy to understand why.
We alsorevealedUIS latest international project: a TV version of Irish writer Adrian McGintys novelThe Island.
It feels like public broadcasting is back, claimed one writer, who has penned shows for multiple pubcasters.

‘The Good Mothers’
He said the streamers are still happy to shell out big bucks for the right projects.
In essence, it is not a European show.
Stern also sought to downplay the knock-on effect of the writers strike and stress a nuanced situation.
You never want people to strike because that means they arent making enough money, she said.
Its not a good thing and [European creatives] dont want to sound opportunistic.
The stage is set for further shifts in the global TV landscape.
If the Berlinale Series Market proved anything, it is that the non-U.S. players are ready and prepared.