Vaughns Marv financedArgylle,then sold it to Apple for $200M.
Universal came on for the global theatrical release.
Were not expecting miracles, and we are seeing smaller grosses, but there has been solid staying power.
‘Argylle’Apple Original Films
2 behind the No.
Those starts are in line with or aboveThe Hitmans Bodyguard.
The IMAX launch was $3M global, including $1.3M from 345 offshore screens.
In holdover news, and as noted above, theres still encouraging play despite the lack of new product.
Also, after crossing $400M globallast weekend, WB/DCsAquaman 2topped $300M internationally (see details below).
In Western Europe, the Sydney Sweeney/Glen Powell-starrer was No.
France and Spain also saw 30% and 23% increases, respectively.
In Latin America, the film claimed the No.
1 spot in 10 out of 11 markets.Mexicorepeated at No.
1 andBraziljumped 65% to take the top spot.
Warner Bros/Village Roadshow/Heyday FilmsWonkafinally wended its way toKoreawith terrific results.
The start in the market that leans into Hollywood musicals was No.
1 with $5.6M from 1,750 screens.
The charmer has already overtaken the lifetimes ofMary Poppins ReturnsandPaddingtonin the market.
In total this weekend,Wonkaadded$10.4Mfrom 77 offshore hubs.
The international cume is now$370.6Mfor$571.7Mworldwide.
Illumination/UniversalsMigrationfinally flew into theUKand did so with a great $4.5M at No.
1 and across 1,500 screens including 35 4DX screens.
The start is doubleEncanto, and aboveMoana, WishandElementaland in-line withDespicable Me.
Migrationstill has Japan to come in March.
SearchlightsPoor Thingsis anything but with an$8.5Mweekend in 37 markets.
The international cume is now$40.1Mfor$68.3Mworldwide.
MiramaxsThe Beekeeperbuzzed up another$6.2Mthis weekend, from 61 overseas markets.
This puts$73.1Min the honeycomb internationally, for$122Mglobal.
Still on deck are Scandinavia this month, Korea in March and Japan in late 2024.
Per our sources, theIndiacume is $25.5M.
