Read all of DeadlinesCannesFilm Festival reviews below, includingPalme dOr winnerAnora.
It was one of a number of critically praised films this edition.
Check out all our reviews below.
Clockwise from top left: ‘Furiosa: A Mad Max Saga,’ ‘The Apprentice,’ ‘Emilia Perez,’ ‘Kinds of Kindness’ and ‘Megalopolis’Warner Bros./France 2 Cinéma/Searchlight/American Zoetrope / Megalopolis / Mihai Malaimare
Will it sell, and will it be released before Novembers election?
We shall see, but this is not a hit job on Trump.
Touch is key in her film, with several scenes depicted in the massage parlor setting.
‘All We Imagine as Light’Petite Chaos
It ultimately is about longing, loneliness, grief and finding a place in a challenging environment.
Indeed it also about the need to feel, yestouch,but not in obvious ways we might expect.
There is the feeling of intimacy that makes this one special, if not exactly full of new revelations.
Time for a Faye Dunaway retrospective, and this fine film is perfect reason to do it.
But the film is entertaining when it finally gets going.
Magnus von Horn is a masterful talent, and there is plenty of prize potential within his film.
Its an unequivocal and beguiling triumph.
Less enlightened viewers may wish to take a pillow.
That makes it their gloomiest film yet.
Of course, it is also very funny.
Many of them are concerned with family, but few have this depth of feeling.
Despite its pace,The Kingdomdoesnt feel like the thriller it resembles.
It feels like epic drama.
It isnt glamorous, but it does look glorious.
It is also an absolutely brilliant piece of filmmaking.
The power of his film derives very much from its clarity and simplicity.
The film is a friendly reminder that life is not fiction.
There is no melodrama here.
Fortunately he gets to live it in the movies.
Yet the importance of their journey to find it cannot be understated.
For anyone else, it is mild fun at best.
But if the results are always a bit ragged, does it matter?
Dupieux might never make a masterpiece, but his slapdash, wild entertainments are irresistible.
Ballard on top, and you have the perfect breakout genre movie of the year.
Which is the grindhouse ethic at work, for sure.
Instead, theres a generously simple sympathy with these refugees, even when their criminal activities become monstrous.
