The drama is not just about fast cars; its just as much about grief.
The quartet discussed the dual tracks this drama plays on.
It was to take you, the audience, and immerse you into this experience.
Everything in the racing, and the crashes, is very accurate and was meticulously researched.
We strived to make it as authentic as possible.
Now what he cares about is the business he built with Laura.
Both he and Laura havent addressed their grief, and that manifests itself here, he said.
You feel the pain bubbling to the surface.
Cruzs performance in particular is a tour de force.
She felt like a failure, same that Enzo felt that they were not able to save him.
She was like a ghost, walking around and just trying to get through the day.
She was meticulous and obsessive, and they had this connection.
She was called a crazy very complicated woman who scared everybody.
After Michael and I did the research, we liked this woman.
I took it personally when they could not see all she did for this company.
Woodleys Lina Lardi was the opposite, and it was not surprising Enzo would seek refuge with her.
Linas whole world was her son, and protecting her son, Woodley said.
This was very different from Penelopes challenge.
Mann has tried close to two decades to make the Ferrari story.
Why did it take so long?
Grand PrixandLe Mansdidnt do well and this became really difficult to get mounted.
I wouldnt make it as a lower-budgeted movie.
It needed to be big, and this is a large-budget, totally independently financed movie.
Check out the panel video above.
Supporting the entertainment industry with exclusive perks and discounts.
