Roll up, roll up, Insiders.
Cannes has been in the headlines for both film festival andMip TVreasons this week, so plenty to follow.
Jesse Whittock taking you through.
Deadline
But Deadline thenrevealedthe story could be a bit more complicated than that.
(you could read more about that aside here, from aninvestigationJake and I undertook earlier this year.)
Fremantle has dominated industry chatter ever since.
Britains Got TalentITV
Brown has been with Thames since 2003, and became MD in 2017 when it merged with Talkback.
Whether this is now the end of the Fremantle management saga, well wait to see.
But have they been greatly exaggerated?
Ironically, in being a bit smaller, Mip might have found itself a cosy niche.
We have found the right format and scale for MIPTV and its working, said event organizer Lucy Smith.
Other big deals included for German eco-thrillerThe Swarm,Red Arrow formatStranded on Honeymoon Islandand theMy King Charlesdoc.
Industry and speculation is rife over what has made the very final cut.
For more zingers like that,read on.
Very, very hot now: The BBC ordered TVs firstLord of the Fliesadaptation, with Jack Thorne writing.
A Zac scoop.Global Breakout: Spanish animated family comedyMummiesis making waves.
Nancy with the insight.
Twitter row: Public media bodiescallfor Twitter to stop labelling public networks Government-funded Media.
Hired:Tom Watt-Smithas Creative Director atWelcome to Earth with Will Smithmaker Nutopia.
Fright night:The UKs National Theatre is scaring up a musical version of Roald Dahl childrens novelThe Witches.
Upped: Prime VideosMartin Backlund, to Managing Director of the Nordics, as I revealed Monday morning.
Winner: Norwegian political satirePower Playwas named Best Series at Canneseries.
