However, the 2024 version seems lost in its attempt to reinvent the wheel.
It attempts to delve deeper into the internal dialogues of Regina, Gretchen, and Karen.
The songs primarily serve as tools for exposition rather than as organic elements of the story.
Bebe Wood, Renee Rapp and Avantika in ‘Mean Girls’Jojo Whilden/Paramount
Each musical number, often internal monologues, interrupts the narrative flow instead of integrating seamlessly into it.
This disjointedness in storytelling is further exacerbated by the films inconsistent adherence to its musical format.
One of the more jarring aspects of the film is its heightened sexualization.
The films saving grace is the performances of Aulii Cravalho and Renee Rapp.
Their exceptional singing talents are undeniable highlights, bringing much-needed energy and vibrancy to the film.
Their magnetic screen presence hints at the potential that could have been realized with better source material.
Making movies is hard.
Adapting musicals into films is likely even more so.
The films lack of focus, inconsistent musical integration, and unnecessary over-sexualization overshadow its few strengths.
