(Pete Hammonds Cannes review ishere.)
True, it looks a little stagey, likeGangs of New Yorkbut out on the prairie.
Acres and acres of buffalo grass.
‘Killers of the Flower Moon’Apple
to the doorstep of Phillips Petroleum.
But things move pretty quickly in theFast & Furiousfranchise.
Everything I know about Philadelphia I learned fromRocky.
(The picture was mistakenly attributed to Thomas Edison in an earlier version of this post.)
You could feel the bumps.
Ostensibly about sound, the film opened with cinematographer Haskell Wexlers remarkable descent on Union Square.
I could have been there.
I remember that mime.
Again, the movies had captured and used a real place and time.
(The script is written by Eric Roth and Scorsese.)
Here and there, other pictures on the schedule might likewise bring that delightful sensation of being there.
Another good bet is Alexander PaynesThe Holdovers, about a snowy interlude in New England.
There will certainly be others.
