It is incredibly validating to see this film achieve such an exciting milestone.

Congratulations to the filmmakers, cast and our colleagues around the world this is a sweet start to 2024.

This second frame of 2024 also offered a pair of new titles in MiramaxsThe Beekeeperand ParamountsMean Girls.

Timothée Chalamet Wonka

WonkaWarner Bros.

The global 3-day is estimated at$37.1M.

In IMAX,TheBeekeepergrossed $8.1M worldwide.

The Jason Statham-starrer performed best inChinawhere hes a strong draw.

Minecraft, Sinners, Revenge of the Sith, Accountant 2 global and international box office

4 with $4.4M,The Beekeeperwas the No.

1 import for the frame which was led again by local comedyJohnny Keep Walking!

($108.5M running cume).

TheMiddle Eastcollectively opened at No.

Markets still to come include Scandinavia, Korea and Japan.

Mean Girls, meanwhile, bowed in just 16 offshore markets, clicking with$6.5Mincluding No.

1 debuts inAustralia($2.3M) andMexico($1.7M).

The global 3-day is$34.5M.

The strong digital campaign has seen impact offshore where U.S. comedies tend to be favored in Anglo-Saxon markets.

In holdover news, Warner Bros/DCsAquaman and the Lost Kingdomsurfed to another$16.6Min 78 overseas markets.

The international running total now stands at$265.5Mand the worldwide tally through Sunday is$373.7M.

Japandebuted this session to an estimated $1.6M on 986 screens at No.

The results are ahead of the opening weekend ofThe Flashby 8% andBlack Adamby 41%.

The IMAX global cume now stands at $32.8M.

Universal/IlluminationsMigrationflew to another$8.9Mfrom 74 overseas markets for a 50% drop.

The international cume is now$86.9Mwith global at$172.6M.

Drops across EMEA were heavier heading into the weekend with a number of markets having finished school holidays.

Individual holds were good with Spain notably up 30%.

Still to come are the UK and Japan.

The weekend granted$8.6Min 51 markets for a running overseas total of$160.4Mand$223.4Mglobal.

The international cume is$22.8Mfor$78Mworldwide.

Upcoming key market releases include Germany, Mexico, Spain, France, Brazil and Italy throughout January.

Notably this session, the Emma Stone-starrer bowed at No.

2 in theUKwith $2M ($2.3M including previews).

It also opened in Finland (No.

  1. and Norway (No.

4); it posted the best opening weekend ever for a Yorgos Lanthimos film in both markets.

In already opened markets,Poor Thingsheld by +2% in Australia and -3% in Greece.